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    July 30, 2024

    Argylle

    Reviews Argylle “Argylle,” the stumbling, overcooked action flick from director Matthew Vaughn, begins with a kind of joke. Agent Argylle…
    July 29, 2024

    The Convert

    Reviews The Convert In his latest movie “The Convert,” director and co-writer Lee Tamahori returns home to New Zealand for…
    July 29, 2024

    Under Paris

    Reviews Under Paris Xavier Gens is back with his second stateside release of the year in a film that’s already…
      Action
      July 29, 2024

      Kill

      Reviews Kill A movie theater would probably be the best place to see “Kill,” a bloody Hindi-language Indian beat-em-up set…
      Action
      July 30, 2024

      The Tiger’s Apprentice

      Reviews The Tiger’s Apprentice At first glance, the existence of “The Tiger’s Apprentice” would seem to be a grand advance…
      Action
      July 29, 2024

      Civil War

      Reviews Civil War Whatever you expect from an Alex Garland movie, he always gives you something else.”Civil War” is something else…
      Action
      July 29, 2024

      Kalki 2898 – AD

      Reviews Kalki 2898 – AD There’s nothing original or particularly surprising about “Kalki 2898 AD,” a polished and expensive-looking Telugu-language…
      Action
      July 29, 2024

      Star Wars — Episode I: The Phantom Menace

      Reviews Star Wars — Episode I: The Phantom Menace We are re-posting this review in honor of the re-release for…
      Action
      July 29, 2024

      Thelma

      Reviews Thelma When you hear the premise of Josh Margolin’s feature debut, “Thelma,” you may think you know what the…
        July 29, 2024

        Sitting in Bars with Cake

        Reviews Sitting in Bars with Cake In 2013, Audrey Shulman, sick of being single, came up with a strategy: bake…
        July 29, 2024

        This is Me … Now: A Love Story

        Reviews This is Me … Now: A Love Story Fairy tale music swells as an ornate storybook fills the screen.…
        July 29, 2024

        Foe

        Reviews Foe Junior (Paul Mescal) and Hen (Saoirse Ronan) are not a happy couple. The spark of their early love…
          July 29, 2024

          Crossing

          Reviews Crossing “Istanbul is a place…where people come to disappear.” This is the sad conclusion arrived at by late in…
          July 29, 2024

          Family Portrait

          Reviews Family Portrait What is it about the sound of wind? It can be undeniably relaxing, a common setting on…
          July 29, 2024

          June Zero

          Reviews June Zero There’s no shortage of films that consider the Holocaust or Israel’s founding. But it’s rare to see the…
          July 29, 2024

          Abigail

          Reviews Abigail The trailer for “Abigail” tells you almost everything you need to know about the movie, a wacky high-concept…
          July 30, 2024

          Destroy All Neighbors

          Reviews Destroy All Neighbors A few names stand out during the opening credits for “Destroy All Neighbors,” a neurotic horror-comedy…
          August 2, 2024

          Doctor Jekyll

          Reviews Doctor Jekyll The name Hammer used to command a certain level of respect in the annals of horror cinema…
          July 29, 2024

          Force of Nature: The Dry 2

          Reviews Force of Nature: The Dry 2 One of the pleasures of being a critic is getting assigned to review…
          July 29, 2024

          Daddio

          Reviews Daddio Dialogue can lie, but faces tell the truth. Stories are told through faces. It takes enormous trust on…
            July 30, 2024

            Enough

            August 16, 2024

            The Union

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            • Suspense

              The Ring

              Reviews The Ring Rarely has a more serious effort produced a less serious result than in “The Ring,” the kind of dread dark horror film where you better hope nobody in the audience snickers, because the film teeters right on the edge of the ridiculous. Enormous craft has been put into the movie, which looks just great, but the story goes beyond contrivance into the dizzy realms of the absurd. And although there is no way for everything to be explained (and many events lack any possible explanation), the movie’s ending explains and explains and explains, until finally you’d rather…

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            • Documentary

              Madu

              Reviews Madu It’s recess at a small school in Nigeria and the boys are kicking around an empty water bottle in an improvised game of soccer. Except for one. Anthony Madu on the far side of the playground, is performing a private ballet. One of his classmates asks, “Why is he dancing like a girl?”  Anthony is dancing because that is who he is. When he is not dancing, his body is shy, uncertain. When he dances, he is sure, elegant, graceful. “Madu” is a documentary about what happened when a brief 2020 video of Anthony dancing barefoot in the…

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            • Suspense

              The Truth About Charlie

              Reviews The Truth About Charlie Regina Lambert has been married for three months. She returns to Paris to find her apartment vandalized and her husband missing. A police official produces her husband’s passport–and another, and another. He had many looks and many identities, and is missing in all of them. And now she seems surrounded by unsavory people with a dangerous interest in finding his $6 million. They say she knows where it is. Thank goodness for good, kind Joshua Peters, who turns up protectively whenever he’s needed. This story, right down to the names, will be familiar to lovers…

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            • Documentary

              On the Adamant

              Reviews On the Adamant At first glance, the barge docked on the Seine in Paris near the foot of the Charles de Gaulle bridge seems to be ordinary enough. In fact, the ship, the Adamant, has, since 2010, been the location for a bold attempt by French medical practitioners to provide a new and more emphatic method of caring for those suffering from mental illness that stresses the humanity of the patients involved while avoiding the kind of stigmatization that too often went along with such attempts in the past. This is the focus of “On the Adamant,” a quietly…

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            • Horror

              You Can’t Stay Here

              Reviews You Can’t Stay Here Todd Verow’s thriller “You Can’t Stay Here” takes viewers into the heart of the Ramble, Central Park’s hook-up hot spot immortalized in William Friedkin’s “Cruising,” for a strange mystery loosely inspired by real events. It’s 1993, and the AIDS crisis is still at its deadliest. Despite the risk and the constant nuisance of police harassment, gay men continue to find community and each other in the sun-strewn wooded haven hidden in plain sight. Rick (Guillermo Díaz), a budding photographer, finds peace, affection, and subjects to photograph in the Ramble, including kind souls like Hale (Becca…

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            • Documentary

              Steve! (Martin): A Documentary in 2 Pieces

              Reviews Steve! (Martin): A Documentary in 2 Pieces There’s nothing worse than watching a bio-doc about a revolutionary, unique, creative voice that reduces the life story of its subject to the basic beats, using standard techniques instead of embracing that which made this person’s story worth telling in the first place. Director Morgan Neville (“Won’t You Be My Neighbor?”) likely struggled with this potential trap when approaching the life of Steve Martin, a man who has defied easy categorization his entire life. From his breakthrough days on the comedy stage, when he somehow merged an old-fashioned sense of humor with…

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            • Action

              Role Play

              Reviews Role Play Emma (Kaley Cuoco) lives a double life. She has a loving husband, Dave (David Oyelowo), and two beautiful children, but she also moonlights as a secret assassin. Her frequent “business trips” lead to emotional and physical distance from her family, forgotten anniversaries, and desperate attempts to reconnect. When Emma and Dave decide to spice up their life, meeting at a hotel as supposed strangers for a sexy role play opportunity, an accidental clash of Emma’s personal and private life sends them both into a tailspin. As Dave is at home, forced to reckon with this onslaught of…

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            • Suspense

              The Recruit

              Reviews The Recruit ‘The Recruit” reveals that the training process of the Central Intelligence Agency is like a fraternity initiation, but more dangerous. At one point would-be agents are given a time limit to walk into a singles bar and report back to the parking lot with a partner willing to have sex with them. Uh, huh. As for the Company’s years of embarrassments and enemy spies within the ranks? “We reveal our failures but not our successes,” the senior instructor tells the new recruits. Quick, can you think of any event in recent world history that bears the stamp…

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            • Horror

              Destroy All Neighbors

              Reviews Destroy All Neighbors A few names stand out during the opening credits for “Destroy All Neighbors,” a neurotic horror-comedy about annoying neighbors and a self-described “serial manslaughterer.” There’s Rich Zim, who animated the trippy opening credits sequence, which sends viewers barreling down a long, ever-mutating tunnel of ear wax, eyeballs, microchips, trees, etc. Then there’s special make-up effects supervisor Gabriel Bartalos, whose credits include collaborations with cult-certified artists ranging from Matthew Barney to Frank Henenlotter. There are also the headlining stars, Jonah Ray Rodrigues (co-host of “Mystery Science Theater 3000”) and Alex Winter (co-director of “Freaked”), who also co-produced…

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            • Documentary

              The Synanon Fix

              Reviews The Synanon Fix Rory Kennedy is a phenomenal interviewer. We’ve seen this before in her other projects like the Oscar-nominated “Last Days in Vietnam,” and it’s the main strength of her new project, HBO’s 4-part “The Synanon Fix.” Her skill set in making people feel comfortable allows former members of the self-help group that turned into a cult to speak so candidly about their time in the organization, to the point that some admit things on-camera that they surely never have before. These men and women are remarkably open about not just what Synanon meant to their recovery but how…

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            • Action

              Fighter

              Reviews Fighter Politics simultaneously are and aren’t the thing in “Fighter,” a Bollywood military drama that takes heavy inspiration from “Top Gun: Maverick.” Released in time for India’s Republic Day, “Fighter” explicitly recalls both the 2019 Pulwama attack that, in real life, left 40 Indian military police dead in Kashmir, as well as the successive Balakot air strike that, depending on who you believe, either killed no one or a bunch of anti-Indian extremists. Using these real-life events as the pretext for a saber-rattling crowd-pleaser isn’t surprising given the rise of nationalist sentiments both in Hindi-language pop cinema and Modi-era…

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            • Suspense

              Phone Booth

              Reviews Phone Booth “Phone Booth” is a religious fable, a show biz fable, or both. It involves a fast-talking, two-timing broadway press agent who is using the last phone booth in Manhattan (at 53rd and 8th) when he’s pinned down by a sniper. The shooter seems to represent either God, demanding a confession of sins, or the filmmakers, having their revenge on publicists. The man in the cross hairs is Stu Shepard (Colin Farrell), who we’ve already seen striding the streets, lying into his cell phone, berating his hapless gofer. Why does he now use a pay phone instead of…

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            • Horror

              Founders Day

              Reviews Founders Day Advertising “Founder Days” as a “bold political slasher” gives too much credit to the movie itself, which follows a post-“Scream” killing spree that precedes a small town’s mayoral election. The movie’s sense of politics boils down to a trite post-Wes-Craven moral relativity, where the incumbent mayor and her obnoxious opponent both sloganeer and campaign in ways that make them seem inauthentic and performative. The rest of the movie thankfully focuses on hormonal teen protagonists, whose dialogue could admittedly be more polished and whose deaths could definitely be grislier. A couple of pedal-to-the-floor melodramatic twists suggest that “Founders…

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            • Documentary

              Girls State

              Reviews Girls State One girl was asked about a significant Supreme Court case and picked “the one with Johnny Depp and Amber Heard.”  Someone thought it was a good idea to have the opening night icebreaker activities include a bracelet station and cupcake decorating. And yet, the worst political judgment in “Girls State,” the documentary follow-up to the award-winning “Boys State,” is the decision of the Governor of Missouri to appear at the ceremonial swearing-in for the high school boys’ gathering, ignoring the girls’ meeting at the same time and in the same location. It is not the only disparity between…

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            • Action

              Argylle

              Reviews Argylle “Argylle,” the stumbling, overcooked action flick from director Matthew Vaughn, begins with a kind of joke. Agent Argylle (Henry Cavill) infiltrates a Greek-set club where he encounters a blonde LaGrange (Dua Lipa), bedecked in a glittering gold dress. They engage in a sultry dance before she escapes under a hail of bullets fired by a gaggle of baddies. With the help of his team—a tech guru (Ariana DeBose) and sidekick (John Cena)—he escapes, chasing LaGrange down narrow streets in a set piece ripped from James Bond. When he finally catches up with her, Argylle and LaGrange exchange banal…

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            • Drama

              Ride

              Reviews Ride In 1991, country superstar Garth Brooks crooned, “Well, it’s bulls and blood/It’s the dust and mud/It’s the roar of a Sunday crowd/It’s the white in the knuckles/The gold in the buckle/He’ll win the next go-’round.” The lyrics, about the ups and downs of a man who dedicates everything to the rodeo lifestyle, rattled around in my head as I watched the opening sequence of writer-director-star Jake Allyn’s feature film debut “Ride.” As we follow a beat-up old cowboy walking through the bowels of a stadium and out towards the rodeo ground, it is as if the song had…

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            • Documentary

              Kim’s Video

              Reviews Kim’s Video “Kim’s Video” reaches so hard for quirky profundity that it falls on its face. It’s a real shame because there’s an interesting story buried in this frustrating film. From the ‘80s to when it closed in the ‘00s, Kim’s Video was a vital force for the love of independent cinema. It curated a culture that valued art above everything else, including whether or not some of the VHS tapes they were renting were 100% legal. Personally, my working at video stores in the ‘80s and ‘90s cultivated my love for the form, and I regret the fact…

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            • Action

              The Tiger’s Apprentice

              Reviews The Tiger’s Apprentice At first glance, the existence of “The Tiger’s Apprentice” would seem to be a grand advance for the cause of Asian representation in animated cinema based on the casting alone—giving voice to the characters is a Who’s Who of celebrated Asian actors that includes Michelle Yeoh, Henry Golding, Lucy Liu, Sandra Oh, Bowen Yang and Greta Lee. Based on the resulting film, it seems as if the filmmakers spent so much time and energy recruiting the undeniably impressive cast that they had little left to invest in the film itself. The end result is a movie…

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            • Suspense

              Identity

              Reviews Identity It is a dark and stormy night. A violent thunderstorm howls down on a lonely Nevada road. A family of three is stopped by a blowout. While the father tries to change the tire, his wife is struck by a passing limousine. Despite the protests of the limo’s passenger, a spoiled movie star, the driver takes them all to a nearby motel. The roads are washed out in both directions. The phone lines are down. Others seek shelter in the motel, which is run by a weirdo clerk. Altogether, there are 10 guests. One by one, they die.…

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            • Horror

              Sunrise

              Reviews Sunrise “You know what he feeds on? Fear.” Generic dialogue and lack of character depth kills the sometimes promising “Sunrise,” which works best when it has a grit that reminds one of the best vampire flicks of all time, “Near Dark,” but that doesn’t happen nearly enough. Once again, we’re in a dark corner of the world, a place where hate is allowed to grow, and not all of the monsters are supernatural. The best elements of “Sunrise” play with that latter idea, arguing that racism and violence are more terrifying than bloodsuckers, but the film too often feels like…

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            • Drama

              Tiger Stripes

              Reviews Tiger Stripes In Amanda Nell Eu’s coming-of-age tale, “Tiger Stripes,” a young girl in Malaysia undergoes the mortifying experience of puberty, but with a twist. Not only is she trying her parents’ and teachers’ patience, showing off her new bra strap to classmates at her all-girls school, and getting her period, but she’s also developing an inexplicable rash, her nails and hair are falling off, her eyes glow red in the dark, and she’s repressing new uncontrollable urges. Growing up is hell, and it doesn’t get any easier when magical realism enters the frame.  Zaffan (Zafreen Zairizal) is a…

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            • Documentary

              It’s Only Life After All

              Reviews It’s Only Life After All There’s a lot of ground to cover in “It’s Only Life After All,” a documentary about the Indigo Girls. The duo (Amy Ray and Emily Saliers) have been performing together, after all, for 40 years. The phenomenon of the Indigo Girls is well worth exploring, but director Alexandria Bombach gets bogged down in the weeds, relying so heavily on Ray’s personal collection of archival footage that she misses the opportunity to dig into the deeper meaning of their career, cultural context and impact. There are interviews with audience members who often speak through tears…

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            • Action

              Madame Web

              Reviews Madame Web “Madame Web” is not the unmitigated disaster that its clunky trailer or its calendar spot in February would suggest.   It’s a low-stakes superhero origin story with a thoroughly amusing Dakota Johnson performance at its center. But the feature debut from longtime television director S.J. Clarkson gets visually chaotic within its (literally) explosive conclusion, and much of the dialogue along the way consists of leaden exposition. Sometimes that can be used to comic effect, as Johnson’s Cassie Webb must repeatedly explain to people the bizarre things that are happening to her, her exasperation growing each time. But often the information dumps in the script credited to Clarkson & Claire Parker…

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            • Suspense

              The Dancer Upstairs

              Reviews The Dancer Upstairs John Malkovich’s “The Dancer Upstairs” was filmed before 9/11, and is based on a novel published in 1997, but has an eerie timeliness in its treatment of a terrorist movement that works as much through fear as though violence. Filmed in Ecuador, it stars Javier Bardem as Augustin, an inward, troubled man who left the practice of law to join the police force because he wanted to be one step closer to justice. Now he has been assigned to track down a shadowy terrorist named Ezequiel, who is everywhere, and nowhere, and strikes at random to…

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            • Horror

              The Seeding

              Reviews The Seeding “The Seeding,” a bleak horror movie about a hiker who gets trapped in the desert, starts by making you flinch. We see extreme close-ups of a toddler’s bloody face as it chows down on a human finger. The kid snacks on the digit for a moment, then the camera suddenly pulls back to show him stumbling around the desert.  Shot in Utah, “The Seeding” benefits greatly from its evocative location photography, credited to director of photography Robert Leitzell. The movie’s eerie ambience also barely compensates for its creators’ otherwise wispy approximation of psychosexual dread, which is often…

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            • Drama

              Bodkin

              Reviews Bodkin Netflix’s new comedic thriller “Bodkin” opens with the show’s protagonist, Gilbert Power (Will Forte), stating, “When I started this podcast, I didn’t expect to solve anything. I didn’t expect it to change my life.” It sets up the characters’ preoccupations well, and also exposes the main problem with the genre their fictional series is embedded in. The series follows American true crime podcast host Gilbert and his researcher Emmy (Robyn Cara), who team up with journalist Dove (Siobhán Cullen) to uncover the mysterious disappearances that plagued the Irish town of Bodkin decades prior.  As these amateur detectives continue…

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            • Documentary

              Food, Inc. 2

              Reviews Food, Inc. 2 “My relationship with food is complicated …very complicated. Because I have Type 1 diabetes,” says Larissa Zimberoff, author of the investigative book Technically Food: Inside Silicon Valley’s Mission to Change the Way We Eat and one of the many interview subjects in the documentary “Food, Inc. 2” a sequel to, you guessed it, 2008’s “Food, Inc.” “I think most of us love food, but we don’t have to think about it every day, every hour,” Zimberoff continues. I don’t want to make light of her condition, but I sometimes actually ask my wife “What are you thinking…

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            • Action

              Land of Bad

              Reviews Land of Bad There are two heroes in the frustrating military actioner “Land of Bad,” and one of them’s more convincing than the other. During a hostage extraction mission gone bad, both heroes fight the kind of terrorists who behead a hostage in an establishing scene and then later philosophize about the real difference between us and them (it’s a doozy). “Land of Bad” is most compelling when it sticks to hero #1, the capable but inexperienced Air Force Sergeant J.J. “Playboy” Kinney (Liam Hemsworth). Hemsworth’s a believable man of action, thanks in no small part to strong action…

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            • Comedy

              Art College 1994

              Reviews Art College 1994 It’s weirdly funny to see a year mentioned in the title of “Art College 1994,” an animated Chinese college dorm rom-com about young people and their greatest loves, themselves. You could easily imagine this feature-length cartoon taking place in another time or place without losing much of either its specificity or universality. Swap out a Nirvana poster or a multi-tiered tape-deck stereo, and you’ll still have an unsentimental and quietly unsparing portrait of idealistic undergrads at a pivotal moment when they start to realize how small they are in the world that awaits them after graduation. Director/co-writer…

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            • Action

              Red Right Hand

              Reviews Red Right Hand “If you’re gonna survive in these hills, you’ll have to get used to a little blood,” purrs Big Cat (Andie MacDowell), an Appalachian drug kingpin just before she has her goons feed a Sheriff’s deputy to her guard dogs. That’s the dime store pulp novel vibe of “Red Right Hand,” from first-time screenwriter Jonathan Easley and directors Ian and Eshom Nelms, exploring similar themes as their 2017 film “Small Town Crime”. The Kentucky-set crime thriller stars Orlando Bloom as Cash, an ex-junkie whose burned red hand was the price he paid to leave Big Cat’s gang.…

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